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Sosharu London by Neri&Hu: A Japanese Minka Reinterpreted in Clerkenwell

Sosharu London by Neri&Hu: A Japanese Minka Reinterpreted in Clerkenwell

2 hours ago
4 min read

The traditional house as a starting point


Sosharu, created for restaurateur Jason Atherton in London's Clerkenwell neighbourhood, is a restaurant where the architecture provides a setting for contemporary Japanese dining without copying a historic interior. Neri&Hu took the minka, a traditional Japanese rural house, as a conceptual reference and translated it into a series of timber enclosures. These house-like forms sit within the larger building, allowing guests to encounter different degrees of privacy and social activity.


Timber posts and narrow vertical screens surround round dining tables and high-backed wooden chairs.
Timber frames and screens shape the principal dining room at Sosharu. Design: Neri&Hu. Photo: Pedro Pegenaute / De La Espada.

Rather than treat the Japanese reference as an applied decorative theme, the architects focused on the relationship between structure, enclosure and human scale. The timber volumes create distinct destinations within the restaurant and bring an approachable, domestic character to its hospitality programme. The idea is not to reproduce a village literally, but to reinterpret how buildings and gardens can shape encounters.


An empty bar with green stools sits behind dining tables within Sosharu's timber framework.
The bar and dining tables share the space beneath the timber structure. Design: Neri&Hu. Photo: Pedro Pegenaute / De La Espada.

Moving through an imagined garden


The plan imagines movement around the inserted houses as a walk through an informal garden. Transition spaces mark the passage from one area to another, and views into the dining rooms change as people move. The contrast between circulation and enclosure encourages visitors to discover the programme rather than understand the whole restaurant from the entrance.


A dark split curtain opens onto a green room with a banquette, seen past wooden tables and textured grey plaster.
A fabric curtain frames a smaller dining space beyond the textured plaster wall. Design: Neri&Hu. Photo: Adam Scott.

Wooden frames and screens connect the interior to traditions of crafted domestic architecture. Their repeated members bring rhythm to the space, while more solid walls provide a quieter backdrop for seating and service. The design uses the relationship between light and enclosure to distinguish the restaurant's different dining experiences.


White dishes and a vase of blossom sit on wooden shelves below a mirror reflecting the empty dining room.
A suspended shelf and a high mirror add depth to the dining-room wall. Design: Neri&Hu. Photo: Julie Falconer / Eater.

Timber screens and social dining


Timber is essential to the character of the principal restaurant. The visible joinery and careful proportions suggest an inhabited construction rather than a neutral commercial room. The furniture and screens establish a human scale, allowing conversation, food and the activity of the dining room to remain prominent within a clear architectural framework.


A round wooden table is set with white cups and chopsticks between high-backed chairs and narrow timber screens.
The scale of the furniture and closely spaced screens defines a small dining setting. Design: Neri&Hu. Photo: Julie Falconer / Eater.

This restrained material language supports different modes of dining. The open areas offer contact with the atmosphere of the restaurant, while more contained spaces are suited to smaller groups. The visual relationship between them is carefully managed, giving guests both intimacy and a sense of belonging to a shared hospitality setting.


A rectangular wooden table is set for dining in front of an empty green leather banquette and dark green wall.
A green banquette forms a more contained dining setting. Design: Neri&Hu. Photo: Julie Falconer / Eater.

The Kisetsu chef's table


The Kisetsu space offers a more concentrated culinary experience. Associated with the chef's table, it is differentiated through the use of indigo-coloured noren, the traditional fabric curtains found at Japanese thresholds. Their soft form and colour introduce another material texture into an environment otherwise shaped by timber and precise construction.


Gold lettering on a grey wooden panel lists Kisetsu and Sosharu on the ground floor and Seven Tales in the basement.
Wayfinding identifies Kisetsu and Sosharu on the ground floor and 7 Tales below. Design: Neri&Hu. Photo: Julie Falconer / Eater.

These fabric partitions are more than decorative screens. They signal the transition to a particular dining experience and make a moment of arrival perceptible. Their movement contrasts with the stability of the surrounding wooden framework, showing how a small material intervention can change the atmosphere and social scale of a room.


A hidden bar beneath the restaurant


Below the restaurant, the 7 Tales bar offers a contrasting environment inspired by the intimate, animated bars of Tokyo's Golden Gai district. The basement's visual language is more energetic and layered than that of the principal dining rooms. Its difference extends the overall hospitality journey, allowing the guest to experience another interpretation of urban Japanese culture.


A dark blue stairwell leads down to a neon Seven Tales sign and a door covered in black-and-white printed graphics.
A stair descends towards the neon sign and graphic entrance of 7 Tales. Design: Neri&Hu. Photo: Julie Falconer / Eater.


An empty L-shaped bar with metal preparation counters faces banquettes, black-and-white wall collages and red neon signage.
The basement bar introduces brass-toned surfaces, layered wall graphics and red neon. Design: Neri&Hu. Photo: Julie Falconer / Eater.


Bottles and glassware line illuminated wooden shelves behind an empty cocktail bar.
Backlit shelves organise the bottles and glassware behind the 7 Tales bar. Design: Neri&Hu. Photo: Julie Falconer / Eater.


Sosharu demonstrates how a concept drawn from historic architecture can be reinterpreted through contemporary planning and materials. Neri&Hu's treatment of timber houses, passages, fabrics and intimate rooms builds a restaurant that feels cohesive but not uniform. The project treats dining as a sequence of spatial experiences rather than a single decorative composition.


Project details and photographic credits


Project: Sosharu by Jason Atherton, 64 Turnmill Street, London EC1M 5RR, United Kingdom. Interior architecture: Neri&Hu Design and Research Office. Restaurant brand: Jason Atherton. Project area: 495 m². Completed: April 2016. Photography: Pedro Pegenaute (images 1–2, from De La Espada), Adam Scott (image 3, from the photographer's Clayworks commission), and Julie Falconer (images 4–10, from Eater's original Sosharu report). Each caption identifies the photographer of the image shown.


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