LOEWE Spring/Summer 2027 Womenswear: A New Wardrobe in Motion
LOEWE presented its Spring/Summer 2027 womenswear collection in Paris on 2 October 2026, with Jack McCollough and Lazaro Hernandez advancing the house language through a wardrobe built around clarity, craft and character. The show unfolded at Château de Vincennes inside a circular structure developed with Casper Mueller Kneer Architects.
A wardrobe shaped by contrast
The collection moves between American archetypes and Spanish-inflected ornament. Modernist blocks of colour meet draped and sashed constructions, while familiar wardrobe forms are softened, stretched or shifted in proportion. The result is not a single silhouette but a sequence of proposals for dressing, each balancing immediacy with the house’s material intelligence.
Craft in motion
Craft remains central rather than ornamental. LOEWE highlighted dimensional caviar-bead florals, glass-bead work developed with Cécile Feilchenfeldt, and leather skiving used to create sharp changes of colour and surface. These techniques bring texture into direct conversation with the movement of the clothes.
An arena for a new LOEWE language
The circular show environment reinforced the collection’s emphasis on presence and shared perspective. Rather than treating the set as a separate spectacle, the architecture concentrated attention on the clothes and on the changing relationship between silhouette, body and audience.
Across Spring/Summer 2027, McCollough and Hernandez position LOEWE as a wardrobe in development: grounded in recognizable garments, sharpened by construction, and animated by craft. The collection’s tension between pragmatism and flourish gives that evolving language its momentum.
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